REVIEW of ‘NOS4A2’ by Joe Hill: A Survivor Forced into Action Against a Villain Destroying Lives to Extend His Own

You can’t ask for much more in a novel; fully realized and flawed characters, a vivid world, action that builds in a believable and satisfying way, and an incredible narrative that takes the reader on a rollercoaster (Sleighcoaster?) ride.

Stories that matter are the ones that stick with you, and this one most certainly does. This tale packs a surprising amount of life lessons alongside the madness and mayhem. Vic McQueen, Maggie Leigh, and Lou Carmody are the types of characters whose struggles, hopes, and triumphs you remember—they don’t simply slip away when you’ve turned that final page.

The characters are what I appreciated most about the story. Author Joe Hill is the son of Stephen King, and the family legacy is alive and well here in the immersive and authentic way he breathes life into the people. No trauma is left behind: Almost died as a kid? Had your family torn apart? Watched a guy burn to death? It happens to Vic, the lead protagonist, and the consequences are long-term.

Just to get one thing out of the way—NOS4A2 is not a vampire story, not really. The title points to the clever vanity license plate on the villain’s 1938 Rolls-Royce Wraith. And OK, yes, Charlie Manx (said villain) is a kind of vampire: throughout his long and unnatural life, Manx uses a power to take the lifeforce of kids. He promises they’re going to a better and safer place, Christmasland, but they are never heard from again. It’s Manx’s twisted way to justify pursuing his own immortality, among other goals.

The author makes it so that Manx keeps his hands clean of any vicious acts. The darkest parts of the book are saved for the depravity of the Gasmask Man, who does Manx’s dirty work in disposing of the parents in horrific fashion.

Hill is disciplined in building out a world with rules. I won’t spoil the big concept, but it’s a really intriguing good versus evil plot that plays out in very unexpected ways. The novel stands as an exemplar of first-rate fiction because of the characters, of course, and how the “big concept” manifests itself all the way to the blazing end. The heart and heroine of the tale is Vic, but the supporting cast is wicked good.

Rarely have I empathized as much with a character as I do with Vic McQueen. The reader shares moments of her childhood that define her, as well as the strange events that will ultimately create an inner conflict within her throughout her life. Completely relatable.

If I had to describe this book to someone, I would say it’s about a real person living in a fantasy scape. What is reality and how stable is it really? Are you crazy, or is everyone else? The resulting turmoil defines Vic’s life and has far-flung consequences. Vic uses sheer willpower and an inner courage to selflessly make the only decision a mother would for her family. A Triumph indeed. 5 of 5 stars.

FAVORITE PLOT SPOILER 👇 (look away!)…

My goodness. My breath was caught over three chapters as Hill agonizingly set up a Game of Thrones-style exit for a main character. When the hammer landed, I felt like the character, paralyzed, looking at my own death. It was the definition of nail-biting. The one hope to stop Manx laid bloodied and broken on the ground. This was where Vic showed her grit and fate was locked.

Lou saved his love with the biker jacket. The hammer that was meant to break Vic’s bones only broke the plates in the jacket. Her helmet saved her too. I really thought we had us an Ed Stark situation. Hat tip to Hill for the amazing scene.

He outdid himself with the ending too. Christmasland is turned into The White and the Lou saves Wayne my smashing his ornament in the trees at the Sleighouse. RIP, Vic.

-josh

REVIEW of Shift by Hugh Howey: Lifetime(s) of Regret

The second book of the Silo series, Shift, is aptly named, and it subverts expectations with a, uuuumm, shift in the story–one that deftly expands on the world.

In broad, non-spoiler terms, it explores big questions such as: how does a closed-loop society operate? What could go wrong? How did we get there? Who’s really in charge? Howey decides to tackle these and other sticky issues in book 2. It’s a bold move that works incredibly well, creating a memorable allegory of how ultimate power does indeed corrupt. 

The story gets major bonus points in how it handles “survivor’s guilt,” not shying away from the messy trauma. It examines the moral fiber of a society that attempts to outrun ethics and replace the human soul with technology (figuratively speaking).

Focusing on some established characters and introducing major new ones, the narrative centers on the unfolding end of the world and those who inherit the new one.

Yes, it’s a survival story about individuals. But equally necessary is the expansive society-building in book 2. The revelations sink in over the course of the tale, and at some points I wanted to curl up on the floor of the silo and cry, just like Donald. My favorite parts ultimately are about the characters who are complicit in undoing the world. Understanding how “it” happened in the first place becomes a very compelling part of the story. 

I left like a resident of the silo when reading Shift. There’s so much that we don’t know, aren’t allowed to ask, and is ultimately out of reach. But what we do learn about our friends closes an emotional loop from book 1 that’s incredibly satisfying. I didn’t know I needed that closure, and when it came, there was this flood of emotion that just hit me.

Thanks to Howey for tackling the big questions, providing an impressive world expansion, and setting up the tale for what I hope is a firecracker of an ending in book 3.

4 of 5

-Josh

SPOILERS:

Family Legacy

There’s sacrifice and bravery in these stories. There are the obvious heroes, but there’s also an equal number of those with quiet courage and fortitude. One of the most emotional moments early on from book 1 is when Allie goes out to “clean”. Once the reader understands the magnitude of this decision, the weight of it is almost too much to bear. It’s disorienting to find out that this society subdues unrest by exiling, and thereby executing, citizens who simply say they want to leave the silo.  

Howey writes a beautiful story of a couple in book 2 whose courage shows through during an uprising that almost forces Silo 1 to shut down Silo 18 (aka kill everyone). We find out this is an earlier generation of Silo 18, the forebearers to Juliette’s generation that averted a total loss of life. And when we last see them, the wife is pregnant. The husband, Mission, a former porter, and his wife Allie, decide to give their baby girl the name of Allison, which has been in her family for generations. This unborn Allie is the very same woman who we meet years later right before her death in an act of defiance like her parents. I think I shed a tear.

Time

There’s lots of time-jumping in this book. It’s an effective technique to show the plausibility of the Silo 1 generation, who lived before the fall, managing all the other silos. There is a slow erasure of all their collective pasts, either done chemically or by law, and it’s really interesting to see what effect that has on the human psyche. 

I believed the struggle Donald was doing through and I felt for his plight. He lost his wife, who lived out her natural life only one silo over. He lost his humanity as time went on. He was as much in the dark as everyone else, but now, at the end, he has a decision to make. Does he become the monster Thurman was, or find a different way forward for humanity’s future? It might not be up to him if Juliette has any say!